| True  life story of a man stuck between a rock and a hard place tells of an  appreciation of life while in the throes of death. While  some simply refer to it as ‘that film where that guy cuts his am off”, 127 Hours is much more than some  gimmick movie, with a visual and emotional power felt in every mesmerizing,  gruelling frame. Directed  by Danny Boyle, this film is yet another example of how his Catholic upbringing  fuels the spiritual and moral contexts in his work. Just  like Martin Scorsese before him, Boyle (now an avowed atheist) was set for the  priesthood, yet found his vocation in movies instead. Yet once a Catholic  always a Catholic, and throughout his filmography is one message: Choose Life  (to steal from his Trainspotting). Life  is exactly what is on display in 127  Hours, based on the true life survival tale of Aron Ralston, who while  hiking in the Blue John Canyon in Utah, found himself in a predicament when his  arm was pinned against a rock face by an immovable boulder. Needles to say, the  arm had to go. With  camera in hand and adventure at heart, Ralston ventured out into the great  yonder thinking himself a self imposed master of his destiny. Ralston would go  on to confess his faults and regrets into his camera, namely that he chose a  life of isolation. This triggers flashbacks of him pushing his family and loved  ones away, and evokes visions of a better life lived, if only he could get out  of his prison.  So,  how does Boyle turn what is essentially a waiting game into an enthralling  movie? With a strong spiritual zeal, all of the tools available to him, and the  participation of one gung-ho James Franco, who gives a career defining  performance, his expressive acting selling the tears, the pain, and the  happiness which his Aron Ralston goes through.  Boyle’s  visual prowess is felt throughout, with photography (Enrique Chediak and  Anthony Dod Mantle) and editing (John Harris) of high standard, and A. R. Rahman’s  emotive score the perfect soundtrack. Yet  like all great stories, it is the moral which counts, that life is best lived  with those who love you, and that to live is worthy of self sacrifice.  |