An innovative twist on the superhero movie genre, Brightburn makes good use out of its “what if?” style storytelling, while diving into  deeper, darker issues that suits its grizzly worldview. 
                                Some parent, somewhere, will come to the realisation that  their child is a monster. Think about the parents of those teens who shot up  Columbine High School. Imagine the horror parents of the “Slender Man” murderers  felt. Hell, even the mother of Ted Bundy eventually came to the realisation  that her son was evil incarnate. As the excellent We Need to Talk About  Kevin portrayed, those who conceived demons upon this world are often  the unintentional victims of their crimes. 
                                Brightburn in many ways deals with this. On the  surface it can be described as a “what if Superman went bad?” movie, and that  would be accurate. But that premise is the novelty, the hook, the simple  synopsis to draw the attention of an overly distracted marketplace. No, Brightburn is as much a family tragedy horror movie, as well as a commentary on how “absolute  power corrupts absolutely” especially when the person wielding that power is 12  year-old super powered alien. 
                                The premise is simple: an alien aircraft containing human  looking alien baby crash-lands on Earth. Human couple Tori (Elizabeth Banks)  and Kyle Breyer (David Denman) find said baby and raise him as their own. When now  12-year-old Brandon (Jackson A. Dunn) finds out what he really is and what he  is capable of, his true evil nature comes to the fore with chilling consequences  for the people of Earth. 
                                Directed by David Yarovesky (The Hive) and written  by Brian and Mark Gunn (Journey 2:  The Mysterious Island), Brightburn is  just the kind of different superhero movie needed in a very crowded field.  While not entirely original (the superior 2012 film Chronicle dealt with similar material), Brightburn delivers on its promise as a  tense filled sci-fi horror, with much in the way of gruesome (yet thankfully  not exploitative) pay-offs that will shock many. One literally jaw dropping  moment will have those expecting the usual run of the mill superhero film to squirm  in their seats. 
                                The performances from all involved are excellent. Banks  and Denman are incredibly sympathetic as parents reeling from the fact that their  adopted son is, for lack of a better word, a monster poised to destroy the  world. This is a couple who hoped and prayed for a child, only to find that their  dream come true has turned into a living nightmare. The nature of the son  overtook the nurture of their parenting. Their angel nothing more than a demon. 
                                Speaking of which, young Jackson A. Dunn hits all the  right notes as a boy whose transition into adolescence brings some unexpected “changes”.  With freckle face and curious mind, Brandon puts onthe veneer of a normal “Smallville”  boy harbouring a dark soul. Dunn effectively portrays this two-faced role to  chilling results.
                                The Omen by way of Krypton, Brightburn is just the kind of sidebar superhero film to shake up the genre a bit. It’s conclusion  teases franchise possibilities. Hopefully, it will happen.