2008
FILMINK AWARDS RED CARPET INTERVIEWS
BRENDAN
COWELL (Noise, Love My Way)
Matthew
Pejkovic: Congratulations on scoring hosting duties tonight.
Any pre-show nerves?
Brendan
Cowell: Not a lot, actually. I thought it would be a hell
of a lot worse, but I'm actually calm.
MP: Excellent. Excluding Noise, what was your favourite film released
in the past year?
BC: Probably Noise.
(Laughter)
BC: Actually, I really liked Boxing Day. I thought that was a
cracking movie. As well as The Jammed and Home Song Stories.
MP: Any particular award category you are looking forward to tonight?
Could be one of the more interesting ones, like Best Hair or Best
Nude Scene
BC: Well I am a man, so I am interested in best nude scene. Let's
face it. Best Sort & Best Blow In of all of the awards I can't
wait to hear about at this of year. I mean every award is exciting
at the Filmink Awards. I'm not up for any, which is probably the
main problem with the awards tonight. But other than that it should
be a great night.
MP: Thank you very much.
BC: It's a pleasure.
KEISHA-CASTLE HUGHES (The Whale Rider, Hey,
Hey It's Esther Blueburger)
Matthew
Pejkovic: Hi Keisha. How are you?
Keisha
Castle-Hughes: Great, thanks!
MP: Last week I saw Hey,
Hey It's Esther Blueburger and I quite liked
it. I just wanted to ask about the making of the film, how you
came to be apart of the film, etc?
KCH: I first read the script when I was 13, before it had any financing,
and I immediately fell in love with it. I wanted to be apart of
it, waited until we had funding, and 2 ½ - 3 years later,
we finally shot the film! So it was quite simple, but now we are
here, and the movie will be released next week, and it's kind
of bitter sweet because I have been so passionate about it for
such a long time.
MP: Cathy (Randall, writer/director) had begun writing the script
in 2002?
KCH: Yeah, Cathy had been writing the script and developing it
for such a long time. The movie is completely different to the
script that I had first read. It holds the same essence, but it
is really a different script.
MP: Well I quite liked the film, and I thought that your performance
in it was great.
KCH: Thank you!
MP: Thank you very much for your time.
DANIELLE
CATAZARITI (Hey,
Hey It's Esther Blueburger)
Matthew
Pejkovic : I have watched Hey,
Hey It's Esther Blueburger last week, and I quite liked it. I spoke to Cathy (Randall, writer/director)
about the film yesterday, and we were talking about the preparation
that you went through for your role. Was it fun preparing for
this role?
Danielle
Catazariti: Oh yeah! It was a heap of fun. We had four weeks
of rehearsals, and through that I had to do break dancing lessons,
and Jewish lessons. I had hair extensions put in because I had
a little afro. So their were different stages we had to go through
to create the character of Esther.
MP: Well it was a fantastic performance.
DC: Thank you very much!
ROGER WARD (Mad
Max, Not Quite Hollywood)
Matthew Pejkovic: What was your favourite film released
in the last year?
Roger
Ward: No
Country for Old Men I thought was very good.
MP: Is their a particular award category you are looking forward
to tonight?
RW: Well, I am presenting the Best Monster Film. I was going to
do best hair (motions to his bald head). I don't know why they
would want me to do that! Otherwise, Best Nude Scene.
MP: It's always a favourite! If you create an award category of
your own, what would it be?
RW: Best Script, I think. I write as well, so I would be interested
in that.
MP: A film is nothing without its screenplay.
RW: Exactly. Nothing can happen without it.
MP: Thank you very much for your time.
RW: Thank you.
DIANA GLENN (Blackwater, The Oyster Farmer)
Matthew
Pejkovic : Hi Dianna. How are you tonight?
Diana
Glenn: I am very well, thank you. How about you?
MP: I am well, thanks. Blackwater is due for release
this year
DG: 24th of April!
MP:
and by all accounts it sounds like it could be one
scary film. Could you talk me through the making of the film?
DG: Sure. We had a 4 week shoot. We shot it in the Big Georges
River, and made it look like far north Queensland. I spent most
of the time in mud or up a tree, with my two fellow actors (Maeve
Dermody and Andy Rodoreda). There was a lot of screaming involved.
It was great. It was filmmaking at its most barest and its most
exciting.
MP: Exactly the ingredients needed for a good horror film.
DG: That's right. Everyone worked very, very had, and it was nothing
luxurious about the shot what so ever. But it was fun and the
final
I am constantly astounded about the magic of filmmaking.
I know how deep that water was, and we were pretending it was
neck high when it was really waste high, and it works! They pulled
it off! Even though we may have been walking on our knees a lot
of the time, they pulled it off. And it looks great, I think.
MP: Excellent! What was your favourite film released in the past
year?
DG: Australian film?
MP: Any film.
DG: I loved Noise and I loved The Jammed.
I really loved No
Country for Old Men, and I really loved The
Darjeeling Limited too. And also Ang Lee's Lust,
Caution. And of course Daniel Day Lewis was extraordinary
in There
Will Be Blood. It has been a good year for
film.
MP: It has been a very good year. A lot of great performances.
If you could create your own Award Category, what would it be?
DG:
(Pause). Best Unrecognised Audition, for people who don't
get the job but do a great audition.
MP: Maybe when they win the award they could get another audition?
DG: Exactly. That's right. Because I think a lot of people who
don't get the jobs are still incredible actors, and I would like
to honour them in some way.
MP: That is nice. You are quite the good Samaritan. Have a good
night.
DG: Thank you very much.
PETA WILSON (Beautiful, La Femme Nikita)
Matthew
Pejkovic : Your new film Beautiful is currently
in post production and is due for release this year. Could you
please give me a quick insight into what the film is about, and
also talk about the making of the film?
PW: It was the best experience I have ever had on a film. The
director Dean O'Flaherty is hands down the best director I have
ever worked with. The film is very European. It has a tone like American Beauty or The Ice Strom,
that kind of tone. It is a combination of many things. I think
the director was really inspired by small towns in Australia,
who kind of do these things
. Remember when bus shelters
used to have those terrorists posters that read 'Be Careful of
Your Neighbour"? He was inspired by that. I mean, what terrorists
are in small town Australia? Some people create a boogie man,
kind of thing. So the film is about a town that gets riled up
because there is nothing else much to do, expect use your imagination.
And then something really terrible happens which is caused by
people creating gossip.
MP: So there isolation breeds fear, and that fear creates consequences?
PW: Excellent! That is why you're the reporter. That would be
it, I'd say. It is a very good analogy.
MP: Well it sounds very interesting. And you were working with
a great cast
PW: They were all great! Thayna Tozzi
they were all wonderful!
All of the actors are really good. And of course it was myself
and Aaron (Jeffrey), so that was really great. He is a great actor
and it was fun to do that. It was just a really wonderful experience,
and I am actually working with them again, the same company.
MP: Excellent. It sounds great.
PW: Thank you!
MP: Thank you very much! Have a great night.
JOEL EDGERTON ($9.99, Kinky Boots)
Matthew
Pejkovic : How are you tonight?
Joel
Edgerton: Pretty good. How are you?
MP: Not bad, thanks. You have two films due for release this year.
There is $9.99, which is a stop motion animation movie.
And also The Square which you co-wrote and your brother
Nash (Edgerton) directed
JE: Yeah!
MP:
could you give me an insight into both of these films,
and also the making of them?
JE: There is another one as well actually called Acolytes,
which Jon Hewitt made which I am apart of as well. $9.99 is an animated film, but it is sort of stop animation. It is not
computer graphics
MP: Old school.
JE: Yeah. So it's like a clay-mation type of thing. It stars myself
and Claudia Karvan, Ben Mendelsohn, Anthony LaPaglia and Geoffrey
Rush all providing voices to it. So when you do a job like that,
it is very little involvement. But with The Square I had a lot of involvement, co-writing and I am in the film. So
I have been seeing that through since the very beginning and I
will see it all the way through to the very end. And the Acolytes is Jon Hewitt's movie, were I get to play a serial killer which
is really fun. Scary, but fun.
MP: I am really looking forward to these films. They sound
very interesting. Especially $9.99, because you just don't see
anything like that.
JE: And also what is interesting about it is, not that it is not
for children, but it is not specifically aimed for children. It
is sort of aimed for a slightly older demographic. It contains
some adult themes. There is quite a bit of darkness to it. It
is almost like if it were a proper film it would be a drama. There
is a lot of humour in it, but more aimed for an older audience.
MP: I am looking forward to it. Have a good night tonight.
JE: Cool, man.
ANDY WHITFIELD (Gabriel)
Matthew
Pejkovic : How are you tonight?
Andy
Whitfield: Very hot. (Motions to sweaty brow).
(Laughter)
MP: Excluding Gabriel, what was your favourite film
released in the past year?
AW: Australian movie?
MP: Any.
AW: There
Will Be Blood. On my God, that was incredible!
It was something
it just had a different feel, a different
tone... it was unbelievable.
MP: If you could create your own award category, what would it
be?
AW: Most Sweatiest Interview!
NASH EDGERTON (The Square)
Matthew
Pejkovic : How are you?
Nash
Edgerton: Good thanks.
MP: Excellent. I spoke to your brother Joel earlier about The
Square, which is due for release this year. Could you
give some insight into the film, and what it was like to direct
your brother?
NE: We get on really well, so it is a pretty easy working relationship.
MP: Can you give me some insight into the making of the film?
Joel co-wrote it
NE: Yeah, Joel is the originator of the idea and he wrote the
script with a friend of ours, Matthew Dabner. It's a thriller,
and I am currently editing it
MP: Will you be getting final cut?
NE: As far as I know I am! But let's see what happens.
MP: Well I am looking forward to it. Have a good time tonight.
NE: Thanks.
COLIN FRIELS (Malcolm, Blackjack)
Matthew
Pejkovic : Congratulations on being bestowed with the Peter
Finch Lifetime Achievement Award. It must be a real honour.
Colin
Friels: It is. Very sweet. Very gratifying.
MP: What has been your favourite film of the past year?
CF: I actually haven't seen a film for a long time. For the first
time I saw The Battle for Algiers, which is sensational.
And I watched Lassie with my daughter, and it was
fantastic. The one that Charles Sturridge directed. They were
brilliant.
MP: If you could create your own award category, what would it
be?
CF: Most Decent Person, I would think. Most Honourable Person.
MP: You know, if their were more awards of that calibre, than
more people would try a little harder to be decent.
CF: Just more honour and more decency. What more can you have?
That would be it I would think.
MP: Thank you very much.
CF: It has been a pleasure.
ANNALISE BRAAKENSIEK (Fat Pizza)
Matthew
Pejkovic : How are you tonight?
Annalise
Braakensiek: I am very well, thank you. And how are you?
MP: Great, thanks. What has been your favourite film of the past
year?
AB: That is a tricky question, because I am such a film buff.
I recently saw Death Defying Acts. But I would have
to say the Diving Bell and the Butterfly. I think that
was definitely the most recent film that really touched my heart,
and I thought that it had incredible cinematography and was shot
very well.
MP: It had a very interesting take, the POV perspective
AB: Yeah. It was amazing.
MP: If you could create your own award category, what would it
be?
AB: Most Down to Earth Person.
MP: I think you might be in the running for that.
AB: Thank you!
MP: Have a good night.
AB: Thank you, and take care.
(RE-PUBLISHED
WITH KIND PERMISSION FROM MEDIASEARCH.COM.AU)
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