Written and created by Matthew Pejkovic

Contact: mattsm@mattsmoviereviews.net

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1990
ROCKY V

STARRING:SYLVESTER STALLONE,TALIA SHIRE,BURT YOUNG,SAGE STALLONE,TOMMY MORRISON,RICHARD GANT,MICHAEL WILLIAMS,BURGESS MEREDITH

WRITTEN BY SYLVESTER STALLONE

PRODUCED BY ROBERT CHARTOFF & IRWIN WINKLER

DIRECTED BY JOHN G.AVILDSEN

GENRE:DRAMA/SPORT

RATED:AUSTRALIA:M/UK:PG/USA:PG-13

RUNNING TIME:104 MIN

In an attempt to reclaim the dramatic glory of the first two movies, Sylvester Stallone brought back Rocky director John G. Avildsen and long time composer Bill Conti (who did not partake in Rocky IV) for what was to be the final chapter in the life of the slugger from Philadelphia.
Continuing straight after the events of Rocky IV, a clearly damaged Rocky Balboa (Sylvester Stallone) returns from Russia and - due to brain damage sustained in his fight against Ivan Drago - retries from professional boxing. Yet things get worse for "The Italian Stallion", after it is revealed that his brother-in-law Paulie (Burt Young) unintentionally signed over power of attorney to the Balboa's accountant, who in turned gambled with and lost all of their money on the stock market.
Moving back to the slums of Philadelphia, Rocky re-opens the gym owned by his later manager Mickey (Burgess Meredith, who returns in flashback sequences). There he meets and takes under his wing a hungry young fighter named Tommy Gunn (Tommy Morrison). Under Rocky's guidance, Gunn quickly rises to the top of the boxing world, only to be seduced by the promise of untold fame and riches by sleaze ball boxing promoter George Washington Duke (Richard Gant), who convinces Gunn that the only way to be seen as the best is to take on his former mentor. Meanwhile, Rocky's relationship with his son Robert (Sage Stallone) sours as he struggles with his new surroundings without the guidance of his father.
Rocky V does well by taking a serious tone and thus making the series feel like a character piece again. Stallone explores the relationships between father and son, teacher and student, while (through the Don King-esque character of George Washington Duke) provides a commentary on the modern world of boxing and its pitfalls. By focusing on the main characters mortality and having him start over from scratch, the film can get depressing. Indeed, Rocky was supposed to die in this one, but Stallone was reluctant, insisting it would be "like killing Superman".
The performances are a mixed bag. Stallone is good (of not a little over the top), and the under used Talia Shire gives a very good performance (as she would in The Godfather Pt III). The casting of real life boxing champion Tommy Morrison as Tommy Gunn is off the mark. He just does not have the unique look or character of a Dolph Lundgren or a Mr. T to distract the viewer from his wooden acting. Equally hideous is Sage Stallone, with Sylvester Stallone pulling a Coppola by casting his own flesh and blood in a major part to devastating results.
Yet the biggest problem within the film is that of continuity. In an embarrassing over sight, Rocky returns from Russia only to find his son has aged by 5 years! Now, these movies have asked its audience to suspend reality many times before, but that is ridiculous. Also fitting that description is the inclusion of hip hop numbers, which does not suit the film at all.
The highlight of this film (as with the majority of the others) is, of course, the final fight scene. But this time out the fight is not in the ring, but on the streets. Choreographed by wrestling legend Terry Funk, the fight and the events leading up to it are a thrilling watch. Once again it is the editing that makes it worth while. There are several excellent cuts which portray eerie, black and white flashes of Rocky with blood pouring down his face like a crimson waterfall, and of Mickey looking down from Heaven. The last 30 min make Rocky V a worth while watch, and even though there are numerous flaws, I rather enjoyed the film and find it to be the most under rated of the Rocky movies.

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