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With
both Hollywood and independent American cinema stuck in a period
of ostentatious self loathing as their country plays the role of
aggressor in the Iraq war, it is up to acclaimed German director
Werner Herzog to breathe new life into the flagging American war
movie, and does so without any iota of a left/right, political/social
undercurrent ruining this ultra-realistic tale of survival, which
is based on real events.
Rescue Dawn stars Christian Bale as Dieter Dengler, a German
born, American fighter pilot who was shot down in Laos during his
top secret, maiden mission. Captured, tormented, and tortured, Dengler
is taken to a P.O.W. camp where he meets fellow soldiers Duane Martin
(Steve Zahn) and Eugene 'Gene' McBroom (Jeremy Davies), who have
been held captive for several years and have gone through devastating
physical and psychological injuries as a result. Dengler plans a
daring escape to the amusement and astonishment of the other captives.
This is not the first time that Herzog has focused his attention
on Dengler, with his 1997 documentary Little Dieter Needs
to Fly drawing critical praise. With this big screen adaptation,
Herzog has wisely chosen versatile British actor Christian Bale
to portray Dengler, who does a great job portraying the emotional
and physical attributes needed to bring Dengler to life (albeit
without Dengler's strong German accent).
In fact, every actor portraying a P.O.W. has gone through serious
physical transformations to achieve the impression that their characters
have gone through hell. Bale lost 55 pounds (25 kilograms). Steve
Zahn (who gives a surprisingly good dramatic performance) lost 40
pounds (18 kilograms). And Jeremy Davies lost 33 pounds (15 kilograms),
his skeletal frame, long hair, beard, and whimsical demeanour, has
him coming across as a half dead hippie with a serious case of the
munchies.
Yet while such weight loss may seem extreme (to say the least),
it works very well in the context of the film. The men who these
actors are portraying on screen were strangers in a strange land,
imprisoned in the most in-humane of conditions by guards straight
out of The
Deer Hunter. They were fed very little food (maggots
were given to them when food rations were down), and were malnourished
and suffered bouts of diarrhoea, as well as bouts of insanity. To
pass the time they would share fantasies of large meals they would
eat when (or if) they would be released.
Because of these elements, Rescue Dawn can be a drawn out
and tormenting watch. Yet the exotic Thailand location (captured
magnificently by cinematographer Peter Zeitlinger), and Herzog's
no nonsense approach to Dieter's story assures a fascinating viewing
experience.
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